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In a recent trial with a £500m+ fashion retailer, Sparkbox improved cash margin on markdowns by 34% and paid back its client’s investment in just 34 days. Launched in 2019, Sparkbox has seen significant traction in the market to date. Sparkbox’s solution, which is trusted by River Island and, enables retailers to forecast demand, optimise their pricing and promotions and plan inventory to reduce waste and the need for big discounts. Praetura Ventures has invested £1.5m into a Manchester-based start-up that uses AI and in-depth data to help big brand merchandising teams make better stock buying and pricing decisions. AI start-up Sparkbox helps River Island, and other major brands improve profitability and reduce inventory waste.If you need any accommodation during the application process, please let us know when you apply. We are building a diverse team at Sparkbox and we encourage applicants from all backgrounds to apply for this role. Working Hours: We are open to discussing part time or flexible working opportunities. Location: Hybrid mix of remote and office work UK only Tell us what you need, and we’ll make it happen: we are committed to promoting great talent as our business and our needs grow Extensive Development Opportunities: We encourage our team members to contribute based on their interests, and we’ll provide opportunities to work cross functionally across the business.Last time we ended up eating dumplings in soho at 1am. 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This is a full-stack role with a focus on front-end development: you will be hands-on day-to-day in designing, building, and maintaining compelling user-focused, data-oriented applications.Īt Sparkbox, we believe retail should run on data. We are looking for a Full Stack Developer to join our fast-growing team. There’s a fashion show! Kudrow sings with a superstar special guest! The cast watches and reacts to bloopers and one particularly harrowing piece of behind-the-scenes footage! Various stars share their favorite scenes, moments and characters! Because, like, who doesn’t want to know what Jon Snow from Game of Thrones finds funny? It’s hard to tell if these bits were included out of uncertainty as to whether the cast was going to open up sufficiently, or just out of a desire to top the countless cast reunions that COVID-19 allowed to happen over Zoom. All and sundry make it clear here that no Friends revival is ever coming with this main cast, but if somebody found a way to develop a new generation version of the show, Kudrow would be a good pick to play a supporting role and offer continuity. Brief table reads of key scenes contribute to the checklist feel and, more than anything, illustrate how magnificently Lisa Kudrow can still access her character. The introduction of a trivia game in homage to “The One with the Embryos” is actually completely inspired, a great way to spark memories and conversation, except that here it’s used primarily to introduce cameos and check off as many boxes as possible as quickly as possible, instead of allowing for breathing room. I can freely admit that most of the structured bits are reasonably funny, sometimes to the point of real amusement. Probably I’m a fool for wanting the latter. Why make, “Were they on a break?” a yes/no speed-round question instead of, “With 25 years of accumulated wisdom, has your perspective changed on whether or not they were on a break?” It’s the difference between glibness and introspection. It’s also where Corden encourages a lot of the more superficial conversations. This is where, through either Corden’s queries or audience questions, we get the buzzy moments people will be tweeting about on Thursday and Friday - whether it’s Schwimmer’s detailed and serious grudge against the simian thespian who played Marcel or a slightly jaw-dropping revelation of a not-so-secret cast crush. The other reunion-y part of the reunion, geared specifically to the kind of anecdotes I personally craved, is an outdoor interview in front of the famous fountain conducted by James Corden. (Before choosing to mock or pity anybody here for their appearance, spend 20 seconds glancing at your own photos from 2004 and then don’t.) The latter is made more potent by the sometimes acknowledged and sometimes ignored reality that some of them haven’t aged a day since 2004 and others don’t look or sound exactly as you might remember. They may not share each other’s precise mental snapshots, but no less than family members meeting at a far-flung wedding or your high school class getting together after 25 years, they have a shorthand that includes inside jokes and a sensitivity to the poignancy of age. The actors wander around the stage and, as memories hit them (or as producers shout prompts that were later edited out), they swap stories, some that they all recollect, others greeted with the encouraging dead-eyed smile of a buddy who doesn’t want to tell their pal that something that made a huge imprint on one person’s life was the other’s flotsam and jetsam. At the risk of deviating from my Morissettian core analogy, the best illustration of what works and doesn’t work about Friends: The Reunion is the introductory scene: As the castmembers arrive one by one at Stage 24 on the WB Lot and greet each other with hugs and emotion, three times people reference how good their old colleagues smell, but nobody expounds upon what they actually smell like.īy a wide margin, those scenes on Stage 24, redecorated in exacting detail to capture the look and feel of the Friends set, are my favorite part of the reunion special. That was all I required from this thing and it’s surely here in some capacity, but the choice has been made to sacrifice depth for volume, one knife for ever-so-many spoons. What I personally wanted, though, was a simple thing: I wanted Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer sitting on a stage telling stories. The special is a complex thing with many moving parts.
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